While except for a few known pieces of the puzzle the story of the sword and its origins remain obscure, the Transylvanian Samurai sword of Thomas Kapustran is certainly a manifestation of the complexity and richness of Hungarian history. Despite being torn apart by two empires and enduring a century of wars, Transylvania still held a remarkable position in the world. So significant was its influence, grandeur, and civilizational level that it could procure luxury goods from distant and isolated lands like Japan.
The event, spanning two weekends, will be hosted by the cinemas operated by the municipality located in the two major city neighbourhoods. On 11–12 November, children can watch Hungarian cartoons at the Dacia Cinema, while on 18–19 November, it will be the Marasti Cinema’s turn.
‘While establishing the Coalition in the early 1990s, I often tried to look at issues through the “other lens”. If something works in the US, why not try it in Hungary? And if it works in Hungary, why not try it in the US?’
In August 1837, Pest’s first permanent, Hungarian-language theatre opened at the Astoria, with the performance of Hungarian poet Mihály Vörösmarty’s drama Árpád ébredése (The Awakening of Árpád)—this was the first period of the Pesti Magyar Theatre, which later became the National Theatre.
István András Kiss spent many years playing for the Kolozsvár (Cluj) team CFR; he even won the national youth league with their youth team in 1985. In this interview he speaks about what it was like to be an ethnic Hungarian football player in Communist Romania, where ‘class warfare and chauvinism could easily co-exist’.
Hungarian Conservative is a quarterly magazine on contemporary political, philosophical and cultural issues from a conservative perspective.