Hungarian Conservative

Old-aged men from the Great Hungarian Plain standing or sitting straight up face the camera and indirectly us, the viewers of these portraits today. What was previously only known from history books and clichéd speeches at the 15 March commemorations becomes, when seeing these pictures, the unvarnished truth, a gesture of an encounter with the past.

In a recent interview, Minister of Culture János Csák quoted iconic interwar education minister Kuno Klebelsberg, who identified the task of governments as supporting high culture, creating Hungarian great achievements, showcasing them internationally, bringing international great achievements here, but most importantly, taking culture to the broadest sections of the nation. This task can be achieved not through separate entities but through one robust institution, the minister argued.

The material compiled from emerging artists of the Y generation highlights one of the most defining artistic trends of recent years, the post-digital movement.

‘If a society is exhausted in immanence, if people are not aware of the finitude of their own life, knowledge, and power, and if every goal of the person, the state, and politics is directed towards material interests, then the state will be exactly that Civitas Terrena, which is also Civitas Diaboli. Everything is justified by the stronger interest (Hobbes), pragmatism and secular science serve the immanent power goals of the great Leviathan, while real wisdom, taste, and arts, that make life pleasant (or just bearable) start to decline, wither, dissolve into a gigantically increased bureaucracy called the state.’